In the previous post I wrote about how Seiji and I met when we were working at Atelier 17 in 1980.
In the summer of 1982, Annie and I returned to Paris so that I could continue working at the atelier in Montmartre. Seiji arranged a sublet for us at Le Bateau Lavoir, walking distance to Atelier Lacourière-Frélaut, where I had made Metro the previous summer. In earlier blog posts I have written about working at this highly regarded printmaking atelier, the art I made there, and some of the artists I met. Continue reading →


